#Qlab pc plus

MADI sources sent from the DiGiCo SD7T console are split to all three TiMax units via MADI bridge splitters, including individual direct or grouped radio mics, plus sound effects feeds from QLab, band mix and reverbs for TiMax to spatialise across the main d&b LCR system, fills, delays and surrounds. Sixteen TT Tags, including a spare, are in use across principals and grouped chorus, concealed in costumes, wigs and turbans. Only two sensors need to вЂњseeвЂќ an actor for accurate performer tracking, so this setup provides redundancy to mitigate occasional blocking by bodies and scenery. These are mapped to provide localisation across five downstage zones, three midstage zones and three upstage zones - plus three elevated midstage zones which hover three metres above the stage for the showвЂ™s well-publicised magic carpet ride wow effect.

Seven TiMax Tracker (TT) Sensors from the Touring version range, (with ethercon interconnects, rackmount POE Hub and two 1U TiMax Tracker PCвЂ™s including backup), are mounted in pairs upstage and at the proscenium while a further three sensors reside on the balcony front. Autograph also provided a TiMax Tracker system which follows the actors around stage to automate the magic of spatial amplification delivered by the TiMax dynamic delay-matrix. Three TiMax2 SoundHub-S64 units (including a hot spare) were purchased by audio provider Autograph Sound, and link to a DiGiCo SD7T console and d&b amplification via MADI and Optocore. The Broadway hit musical DisneyвЂ™s Aladdin opened this summer at the Prince Edward theatre in LondonвЂ™s West End, with TiMax vocal imaging and effects spatialisation firmly in situ at the heart of the Ken Travis sound design.